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#1 Jon Dambacher

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Posted 04 April 2009 - 07:27 PM

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"A filmmaker has almost the same freedom as a novelist has when he buys himself some paper." -- Stanley Kubrick ('The Making of Kubrick's 2001' edited by Jerome Agel, 1970, Signet)

Much has been written about his obsequious attention to detail, a multitude amount of takes, the speed in which he worked, and all the recondite things in between. An American filmmaker who grew out of an independent DIY (Do-It-Yourself) style in the streets of New York. From snapping photographs of unsuspecting bystanders, to hand-held film documentation, to convincing his father and Uncle to finance his first feature film.

In 1951 at 23 years old, Kubrick self-financed his first film, "Day of The Fight." A 13min. documentary featuring a boxer, Walter Cartier, as he prepped and got into the ring for a match. Kubrick learned the basic mechanics of his motion-picture camera from the man who rented it to him. Kubrick, as producer, director, and chief cinematographer, sold the short to RKO for its "This is America" series. It played at the Paramount Theatre in New York, earning Kubrick his rental cost back and interest in more subjects.

Kubrick's absolute dedication to his craft was born in the San Gabriel mountains of California in March 1953 with his first feature "Fear and Desire."
He directed, produced, edited, photographed, and ran his own sound recordings in post-production. Today, in our digital age, we all started making films this way. Much like the independent wizards today, Kubrick improvised in the use of his limited equipment and resources. One scene called for an eerie fog effect. Kubrick used a crop spraying device from a nearby farm. (http://www.time.com/...,867001,00.html) Paul Mazursky, who acted in the film, describes Kubrick using a baby carriage to create a tracking effect in his book "Show Me The Magic."

Though Kubrick would later disown himself from this courageous project, he certainly followed it up with some portentous stepping stones.

"Killer's Kiss"
"The Killing"
"Paths of Glory"
"Spartacus"

Kubrick's perspicacity has been ever present throughout his work. Freely jumping through film genres and experimenting with cinematic styles. By teaming with James Harris, then a young producer, it brought Kubrick to better financing and legitimacy. Spanning from these independent features to his getting Sterling Hayden and Kirk Douglas attached to projects he was ready to be hurtled into the ring as a young, fresh, director-for-hire.

"Spartacus," for Kubrick, carried the torch toward artistic freedom. Kirk Douglas tailored the "Spartacus" picture for himself, becoming the Executive Producer, and casting a golden list of actors for this sword and sandal epic. With a screenplay by the blacklisted Dalton Trumbo, writing under pen name "Sam Jackson," the recent firing of Anthony Mann, Kubrick was approached by Douglas to finish the picture in the same great fashion in which they'd just previously done with "Paths of Glory." With several armies of extras, a $12, 000, 000 budget, and absolutely no creative control for Kubrick, the picture was a success at the box offices. There were largely publicised fights between Charles Laughton and Laurence Olivier, but more importantly, between Kubrick and Douglas. Though it was successful and introduced Stanley Kubrick to the masses, Kubrick disowned the picture and vowed to dedicate himself to his own creations. "Spartacus" was the only Kubrick film in which he had nothing to do with the screenplay, no word in the editing process, no producing credit, or any say in the casting.

In 1961 Kubrick worked for six months on what I've always considered a great tragedy in it's failed possibility: "One-Eyed Jacks." A western starring and finally directed by Marlon Brando. Written by an odd mix consisting of Rod Serling, Calder Willingham, and Sam Peckinpah. Featuring, ironically showing up later in one of Kubrick's most iconic films, Slim Pickens. Brando's production company, Pennebaker Productions, was financing the film and working over Kubrick's shoulders, something Kubrick had recently dealt with while working on "Spartacus," again having issues when it came to casting decisions. Going through many different versions of the screenplay, hiring and firing the above listed writers, Kubrick felt the script had become too muddled and asked to recast Karl Malden with Spencer Tracey. The production company had already paid Malden a large sum and denied Kubrick's request. Most of the company was fired when Brando canned Peckinhap for re-writes he didn't like, Willingham for reasons unknown, and eventually Kubrick because he, Brando, hadn't thought the production was moving quick enough. Brando hired himself to finish the picture and his original cut would run close to 4 1/2 hours before Paramount re-cut it to half its length. The film has been panned and pushed to the side over the years though readily available through the Alpha Video catalogue.

Moving to England turned out to be the best move Stanley Kubrick ever made. In 1962 he would embark on a journey that wouldn't end until March 7, 1999. The journey was called "Lolita." Even with the enormous cuts made to the film, the dealings with censorship and earning a BBFC "X" rating, the different surviving versions of the film, still no home video release has done this legendary feet justice. "Lolita," perhaps more importantly than Kubrick's others, rightfully needs the serious attention of those interested in the survival of important classics and contemporary films.

-- Jon Dambacher

#2 Opale

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Posted 17 September 2009 - 10:03 PM

Today in one of my cinema course I saw the bathroom scene of The Shinning and I was amazed to see how genius Kubrick was for breaking the 180 degrees rule... Its one of the greatest cinematographic scene I've ever seen alongside many Bunuel scenes... I'm amazed to discover many subtleties that most of the audience never see...


#3 bobham80

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Posted 17 September 2009 - 10:07 PM

Care to explain the 180 degrees rule

#4 Opale

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Posted 17 September 2009 - 10:22 PM

Care to explain the 180 degrees rule

Wikipedia have an article that resume it well

In Shinning, Kubrick used the effect of that "rule breaking" to make some great cinematic storytelling, when he switch to "the other 180 degree" the characters switched of place in the script and in cinematic story telling but not their bodies...

Its hard to explain in a foreign language but now you should understand when you'll watch the scene...

#5 Duke Togo

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Posted 18 September 2009 - 07:38 AM

You're right, it kind of knocks you off balance. I love that one is long distance, one short, one medium, and the set is beautiful. I also love Kubrick's choice of static shots. The whole thing makes me want to grab a camera and some friends just to play with shot combinations, or maybe just watch the film instead. :unsure:

#6 masterofoneinchpunch

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Posted 26 July 2011 - 03:07 PM

Day of the Fight Part 1 (1951)
Day of the Fight Part 2 (1951)

or check it out directly:

Part 1:



Part 2:


Under Construction:
My Criterion Collection (408; I Own and Have Watched):
1-16, 18, 19, 20, 21(2nd), 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 43, 44, 45, 46, 47, 48, 49, 50, 51(1st & 2nd), 52, 52, 53, 53, 55, 56, 57, 58, 61, 62, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 81, 82, 83, 84, 85, 86. 87, 88, 90, 91, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 105, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 121, 124, 125, 126, 127, 128, 129, 130, 131, 133, 134, 135, 136, 137, 138, 139, 140, 141, 143, 145, 146, 147, 148, 149, 150, 151(1st), 157, 158, 159, 160, 161, 164, 165, 167, 168, 169, 170, 171, 172, 173, 174, 175, 177, 180, 182, 183, 184, 185, 186, 187, 188, 189, 190, 193, 194, 195, 196, 197, 198, 199, 201, 202, 204, 205, 206, 208, 209, 210, 211, 212, 213, 214, 216, 217, 218, 219, 220, 221, 222, 224, 226, 227, 231, 232, 233, 234, 235, 237, 239, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 260, 263, 266, 267, 268, 271, 273, 274, 275, 276, 277, 280, 281, 282, 283, 284, 285, 286, 288, 289, 290, 291, 292, 293, 294, 297, 298, 300(2D), 301, 302, 304, 305, 306, 308, 309, 310, 311, 312, 313, 314, 315, 316, 317, 318, 319, 320, 321, 322, 323, 324, 325, 326, 327, 328, 329, 330, 331, 332, 335, 336, 338, 339, 340, 341, 342, 343, 344, 345, 346, 347, 348, 349, 351, 352, 353, 354, 357, 358, 359, 362, 363, 364, 365, 366, 367, 368, 369, 370, 371, 372, 373, 374, 375, 376, 378, 379, 380, 383, 385, 386, 387, 388, 391, 392, 393, 394, 395, 396, 397, 398, 399, 402, 404, 405, 408, 409, 410, 412, 413, 414, 415, 416, 417, 418, 419, 420, 421, 422, 424, 425, 427, 428, 429, 430, 431, 432, 433, 434, 435, 437, 439, 441, 445, 446, 447, 448, 451, 453, 455, 456, 457, 459, 460, 461, 462, 465, 470, 475, 476, 478, 481, 482, 487, 490, 497, 498, 499, 500, 501, 503, 505, 512, 524, 525, 526, 528, 529, 530, 531, 539, 540, 543, 556, 565, 572, 578, 579, 580, 586, 596, 650, 664, 677

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#7 mikesncc1701

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Posted 26 July 2011 - 09:24 PM

I'm about to watch A Life In Pictures to celebrate his birthday.

#8 Major81

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Posted 13 November 2011 - 12:43 AM

According to the latest issue of NOW PLAYING, it seems as if Kubrick's FEAR AND DESIRE will be shown on TCM on December 14, 8PM Eastern, 5PM Pacific.

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Eclipse: Series 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39,40


#9 mikesncc1701

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Posted 13 November 2011 - 01:06 AM

Good catch Major. I've had it for awhile but never watched it. Sometime after the beginning of 2012 I'm gonna order the Stanley Kubrick Archives book and go through every one of his films while I read it now that I have all (available ones) in hi-def. Also going to include Fear and Desire and Day Of The Fight which master was kind enough to link us to.

#10 Izo

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Posted 14 December 2011 - 08:35 PM

Anyone catch Fear and Desire tonight on TCM? It wasn't as horrible as I was expecting, and it was actually pretty decent when no one was talking - the writing was pretty bad, truth be told. The still-image like black and white photography was really quite stunning considering the obvious limitations of the production. Glad I watched it, but by no stretch of the imagination is it a forgotten gem.

#11 Major81

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Posted 14 December 2011 - 10:54 PM

I DVR'd it, but I don't know when I'll get to watching it. Hopefully soonish.

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My Criterion Collection: 1, 2, 3, 4, 5, 6, 7, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 102, 103, 104, 105, 106, 107, 108, 109, 110, 111, 112, 113, 114, 115, 116, 117, 118, 119, 120, 121, 122, 123, 124, 125, 126, 127, 128, 129, 130, 131, 132, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 143, 144, 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 155, 156, 157, 158, 159, 160, 161, 162, 163, 164, 165, 166, 167, 168, 169, 170, 171, 172, 173, 174, 175, 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192, 193, 194, 195, 196, 197, 198, 199, 200, 201, 202, 203, 204, 205, 206, 207, 208, 209, 210, 211, 212, 213, 214, 215, 216, 217, 218, 219, 220, 221, 222, 223, 224, 225, 226, 227, 228, 229, 230, 231, 232, 233, 234, 235, 236, 237, 238, 239, 240, 241, 242, 243, 244, 245, 246, 247, 248, 249, 250, 251, 252, 253, 254, 255, 256, 257, 258, 259, 260, 261, 262, 263, 264, 265, 266, 267, 268, 269, 270, 271, 272, 273, 274, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286, 287, 288, 289, 290, 291, 292, 293, 294, 295, 296, 297, 298, 299, 300, 301, 302, 303, 304, 305, 306, 307, 308, 309, 310, 311, 312, 313, 314, 315, 316, 317, 318, 319, 320, 321, 322, 323, 324, 325, 326, 327, 328, 329, 330, 331, 332, 333, 334, 335, 336, 337, 338, 339, 340, 341, 342, 343, 344, 345, 346, 347, 348, 349, 350, 351, 352, 353, 354, 355, 356, 357, 358, 359, 360, 361, 362, 363, 364, 365, 366, 367, 368, 369, 370, 371, 372, 373, 374, 375, 376, 377, 378, 379, 380, 381, 382, 383, 384, 385, 386, 387, 388, 389, 390, 391, 392, 393, 394, 395, 396, 397, 398, 399, 400, 401, 402, 403, 404, 405, 406, 407, 408, 409, 410, 411, 412, 413, 414, 415, 416, 417, 418, 419, 420, 421, 422, 423, 424, 425, 426, 427, 428, 429, 430, 431, 432, 433, 434, 435, 436, 437, 438, 439, 440, 441, 442, 443, 444, 445, 446, 447, 448, 449, 450, 451, 452, 453, 454, 455, 456, 457, 458, 459, 460, 461, 462, 463, 464, 465, 466, 467, 468, 469, 470, 471, 472, 473, 474, 475, 476, 477, 478, 479, 480, 481, 482, 483, 484, 485, 486, 487, 488, 489, 490, 491, 492, 493, 494, 495, 496 , 497, 498, 499, 500, 501, 502, 503, 504, 505, 506, 507, 508, 509, 510, 511, 512, 513, 514, 515, 516, 517, 518, 519, 520, 521, 522, 523, 524, 525, 526, 527, 528, 529, 530, 531, 532, 533, 534, 535, 536, 537, 538, 539, 540, 541, 542, 543, 544, 545, 546, 547, 548, 549, 550, 551, 552, 553, 554, 555, 556, 557, 558, 559, 560, 561, 562, 563, 564, 565, 566, 567, 568, 569, 570, 571, 572, 573, 574, 575, 576, 577, 578, 579, 580, 581, 582, 583, 584, 585, 586, 587, 588, 589, 590, 591, 592, 593, 594, 595, 596, 597, 598, 599, 600, 601, 602, 603, 604, 605, 606, 607, 608, 609, 610, 611, 612, 613, 614, 615, 616, 617, 618, 619, 620, 621, 622, 623, 624, 625, 626, 627, 628, 629, 630, 631, 632, 633, 634, 635, 636, 637, 638, 639, 640, 641, 642, 643, 644, 645, 646, 647, 648, 649, 650, 651, 652, 653, 654, 655, 656, 657, 658, 659, 660, 661, 662, 663, 664, 665, 666, 667, 668, 669, 670, 671, 672, 673, 674, 675, 676, 677, 678, 679, 680, 681, 682, 683, 684, 685, 686, 687, 688, 689, 690, 691, 692, 693, 694, 695, 696, 697, 698, 699, 700, 701, 702, 703, 704, 705, 706, 707, 708, 709, 710, 711, 712, 713, 714, 715, 716, 717, 718, 719

Eclipse: Series 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39,40


#12 clydefro

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Posted 24 February 2012 - 10:20 PM

It might be worth noting here that Fear and Desire actually has a distributor (Kino Lorber) and will play at the New Directors/New Films program in New York City. I imagine a DVD or Blu-ray release will follow at some point.

#13 Izo

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Posted 06 August 2012 - 04:50 PM

It might be worth noting here that Fear and Desire actually has a distributor (Kino Lorber) and will play at the New Directors/New Films program in New York City. I imagine a DVD or Blu-ray release will follow at some point.



And here it is:

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#14 Lawrence

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Posted 07 August 2012 - 02:17 AM

Far more exciting than that (for me at least), is the fact that there is supposed to be a major Kubrick exhibition on in Amaterdam during my stay!

1 2r 3r 4r 5 6r 7 8 9 10r 11r 12 13 14r 15r 16r 17r 18r 19r 20 21 22 23 24r 25 26 27 28 29r 30r 31 32 33 35r 36 37 38r 39r 40 41 42 43 44 44r 45 46 47 48r 49 51 52r 53r 54 55 56 56r 57r 58 59 60 61 62 63 64r 65 66 67 68 69 70 72 73 74 75 76 76r 77 78 79 81 82 83 84 85 86 87 88 89 90 91 92 93 93r 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112r 113 114 115 116 116r 117 118 119 120 121 122 123 124 125 126 127 128 129 130 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 308 309 310 311 312 313 314 315 316 317 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 391 392 393 394 395396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 440 441 442 443 444 445 446 447 448 449 450 451 452 453 455 456 457 458 459 460 461 462 463 464 465 466 467 468 469 470 471 472 473 474 475 476 477 478 479 480 481 482 483 484 485 486 487 488 489 490 491 493 494 495 496 497 498 499 500 501 502 503 504 505 506 507 508 509 510 511 514 515 516 519 521 522 523 524 525 526 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 624 627 629 630 631 632 633 634 636 637 638 639 640 641 642 643 645 646 647 649 650 651 652 653 654 656 657 658 659 660 667 668 669 671 676 677 679 680 681 682 683 691 692 693 696 700 704 707 708 709 710 711 712 720 721 724 725 728 732 733 738 750 751 752 753 754 756 759 760 764 771 772 787 790 791 793 796 797 Eclipse 1 2 4 5 6 7 8 9 10 11 12 13 17 18 19 25 28 Criterion - 685


#15 Duke Togo

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Posted 07 August 2012 - 08:00 AM

^
I'm sure that will draw an interesting bunch.

#16 Lawrence

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Posted 07 August 2012 - 08:21 AM

I'm really looking forward to it. I'm just hoping I can allow myself the time needed to take it all in, depending on how big the thing is.

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#17 Duke Togo

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Posted 07 August 2012 - 11:58 AM

Will that include a complete film retrospective?

#18 Lawrence

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Posted 08 August 2012 - 01:26 PM

Well I'm over here now and it's looks to be pretty exhaustive. It looks like every film (including the earliest ones) are being shown. Better than that though it's models, costumes, scripts, storyboards and loads more for everything little Stan did from flogging early photos up to making nudie films with the Cruise's. Hoping to get over there on Friday.
http://wheninamsterd...ion-at.html?m=1

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#19 Duke Togo

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Posted 09 August 2012 - 08:03 AM

Do you have enough free time to watch all the ones you want to see? That is sounding like a real lucky event to come across, though I could never enjoy such a thing with the wife, or anyone I know for that matter.

#20 Lawrence

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Posted 09 August 2012 - 08:45 AM

There's no way on earth I'll be able to see anything other than the exhibition since I'm with my wife on our anniversary. It's all about give and take. :)

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